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Rabbit (Un)Redeemed - The Drama of Belief in John UpdikeOs Fiction (Paperback)
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Rabbit (Un)Redeemed - The Drama of Belief in John UpdikeOs Fiction (Paperback)
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List price R2,552
Loot Price R393
Discovery Miles 3 930
You Save R2,159 (85%)
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Rabbit (Un)Redeemed: The Drama of Belief in John Updikes Fiction
offers a selective reading of this prolific authors oeuvre,
concentrating on Updikes career-spanning reoccupation with issues
of faith and doubt. In Baileys reading, at the heart of Updike's
work is the tension between affirming the continuance of the 'heady
wine of religious consolation' and the deepening anxiety that the
best that humanity can hope for is 'the bleak fare of more
endurance.' Focusing on a trio of Olinger stories, the Rabbit
Angstrom tetralogy, In the beauty of the Lilies, and Rabbit
Remembered, Bailey locates the dialectical situation at the center
of Updike's literary career in his conflicted sense of himself as a
Christian novelist and Howellsian realist. Bailey's thematically
centered study reveals a substantial stylistic component in
Updike's dilemma of belief; therefore, a significant objective of
this study involves illuminating the author's conflict between
creating an eschatologically inspired mimesis reflective of a
'knowing eye' behind appearances of reality, or settling for a
historically based realism that, in Howellsian fashion, can do
nothing more spiritually meaningful than to record (and thus
literally preserve) that which is an will one day be no more.
Rabbit Angstrom is Updike's most significant fictional creation,
Bailey contends, because his impulses toward religious skepticism
are so inadequately possessed of the intellectual and literary
buffers that provide Updike and some of his other protagonists with
temporary forms of solace or compensation. Rabbit's deepening
skepticism that 'goodness lies inside, there is nothing outside'
finds it corollary in the evolution delineated in Updike's work,
transforming it from the 'song of joy' in affirmation of creation
the 'The Blessed Man of Boston' narrator David Kern invokes, to the
chronological reconstruction of history as attempted compensation
for a relinquished belief in times spiritual significance in In the
Beauty of th
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