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Multiplying Worlds - Romanticism, Modernity, and the Emergence of Virtual Reality (Hardcover)
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Multiplying Worlds - Romanticism, Modernity, and the Emergence of Virtual Reality (Hardcover)
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Multiplying Worlds argues that modern forms of virtual reality
first appear in the urban/commercial milieu of London in the late
eighteenth- and early nineteenth-century (1780-1830). It develops a
revisionary account of relations between romanticism and popular
entertainments, 'high' and 'low' literature, and verbal and visual
virtual realities during this period. The argument is divided into
three parts. The first, 'From the Actual to the Virtual', focuses
on developments during the period from 1780 to 1795, as represented
by Robert Barker's Panorama, Jeremy Bentham's Panopticon, and James
Graham's Temple of Health and Hymen. The second part, 'From
Representation to Poiesis', extends the study of late eighteenth-
and early nineteenth-century virtual realities to include textual
media. It considers the relation between textual and visual
virtual-realities, while also introducing the Palace of Pandemonium
and Satan/Prometheus as key figures in late eighteenth-century
explorations of the implications of virtual reality. There are
chapters on Ann Radcliffe's The Mysteries of Udolpho, Beckford's
Fonthill Abbey, the Phantasmagoria, and Romantic representations of
Satan. The book's third part, 'Actuvirtuality and Virtuactuality',
provides an introduction to the Romantics' remarkably diverse (and
to this point rarely studied) engagements with the virtual. It
focuses on attempts to describe or indirectly present the cultural,
material, or psychological apparatuses that project the perceptual
world; reflections on the epistemological, ethical and political
paradoxes that arise in a world of actuvirtuality and
virtuactuality; and experiments in the construction of virtual
worlds that, like those of Shakespeare (according to Coleridge) are
not bound by 'the iron compulsion of [everyday] space and time'.
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