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William Byrd and His Contemporaries - Essays and a Monograph (Hardcover)
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William Byrd and His Contemporaries - Essays and a Monograph (Hardcover)
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Throughout his distinguished career, Philip Brett wrote about the
music of the Tudor period. He carried out pathbreaking work on the
life and music of William Byrd (c.1540-1623), both as an editor and
a historian. He also studied other composers working during the
period, including John Taverner, Thomas Tallis, Orlando Gibbons,
and Thomas Weelkes. Collecting these influential essays together
for the first time, this volume is a tribute to Brett's agile mind
and to his incomparable skill at synthesizing history and musical
analysis. Byrd was a prominent court composer, but also a Catholic.
Besides important instrumental music and English songs, he wrote a
great deal of sacred music, some for his Protestant patrons, and
some for his fellow Catholics who celebrated mass in secret.
Ranging from the report of Brett's findings on the Paston
manuscripts, an unpublished round-table paper that he delivered a
few months before his untimely death, to his monograph-length study
of Byrd's magnum opus, Gradualia, the essays collected here
consider both sacred and secular music, and vocal and instrumental
traditions, providing an intimate glimpse into what was unique
about Byrd and his music. Elegantly written, with the particular
brilliance for which Brett was known, this book opens a fascinating
window onto one of the most fruitful periods of English musical
history.
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