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WOLFMAN VS. DRACULA - An Alternate History for Classic Film Monsters (Paperback)
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WOLFMAN VS. DRACULA - An Alternate History for Classic Film Monsters (Paperback)
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Following Phantom of the Opera (1943), in the middle of the Silver
age of Universal Studio's monster movies, a new sequel to
Frankenstein Meets the Wolfman was considered for a Technicolor
production: Wolfman vs Dracula Lon Chaney Jr., who was the only
actor to portray Universal's four classic monster roles; Dracula,
frankenstein's monster, the mummy and the wolfman. At first Chaney
was to play both roles, as his father Lon Chaney Sr. had done in
several of his famous silent films. But Larry Talbot in his human
phase would look exactly like Count Dracula so the role of Dracula
was given to it's originator Bela Lugosi. A script was prepared by
Bernard Shubert, who had written the screenplay for Tod Browning's
London After Midnight(MGM 1927) remake Mark of the Vampire (MGM
1935). Shubert kept the settings very tight in its scenes, to keep
the cost down to balance out for the extra expense of technicolor.
But by 1944 Bela Lugosi was in his 60s and would have had to play
part of his role as a giant bat much like in the Copolla Bram
Stoker's Dracula in the 90s - and that would have been too much for
him. And they couldn't have the Wolfman fighting an animated bat
much like John Carradine's depiction of the Count or even Lugosi's
portrayal in Abbott and Costello Meet Frankenstein. So they decided
to make one of their Arabian Nights film on the Technicolor
contract and all that remained of Wolfman vs Dracula are some color
8x10s of Chaney in both parts. This volume has a short biography of
screenwriter/TV producer Bernard Shubert and comments from Shubert
and special effects cinematographer David Stanley Horsley.
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