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The Obsolete Empire - Untimely Belonging in Twentieth-Century British Literature (Paperback)
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The Obsolete Empire - Untimely Belonging in Twentieth-Century British Literature (Paperback)
Series: Hopkins Studies in Modernism
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Modernist literature at the end of the British empire challenges
conventional notions of homeland, heritage, and community. Finalist
of the MSA First Book Prize by The Modernist Studies Association
The waning British empire left behind an abundance of material
relics and an inventory of feelings not easily relinquished. In The
Obsolete Empire, Philip Tsang brings together an unusual
constellation of writers-Henry James, James Joyce, Doris Lessing,
and V. S. Naipaul-to trace an aesthetics of frustrated attachment
that emerged in the wake of imperial decline. Caught between an
expansive Britishness and an exclusive Englishness, these writers
explored what it meant to belong to an empire that did not belong
to them. Thanks to their voracious reading of English fiction and
poetry in their formative years, all of these writers experienced a
richly textured world with which they deeply identified but from
which they felt excluded. The literary England they imagined,
frozen in time and out of place with the realities of imperial
decline, in turn figures in their writings as a repository of
unconsummated attachments, contradictory desires, and belated
exchanges. Their works arrest the linear progression from colonial
to postcolonial, from empire to nation, and from subject to
citizen. Drawing on a rich body of scholarship on affect and
temporality, Tsang demonstrates how the British empire endures as a
structure of desire that outlived its political lifespan. By
showing how literary reading sets in motion a tense interplay of
intimacy and exclusion, Tsang investigates a unique mode of
belonging arising from the predicament of being conscripted into a
global empire but not desired as its proper citizen. Ultimately,
The Obsolete Empire asks: What does it mean to be inside or outside
any given culture? How do large-scale geopolitical changes play out
at the level of cultural attachment and political belonging? How
does literary reading establish or unsettle narratives of who we
are? These questions preoccupied writers across Britain's former
empire and continue to resonate today.
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