Combining typefaces is one of the great challenges and, at the same
time, a continuing allure for typographers and designers: is it
meant to be extravagant or should it only be carried out to a
limited degree or, ideally, not at all? Which fonts harmonize with
each other, and which don't? Which ones complement each other or
even enhance each other? There are few answers to be found in the
professional literature. This handbook demonstrates that it is
possible to determine criteria for the combining of typefaces. By
looking at the shape of typefaces in detail and creating a revised
classification of fonts, it conveys a deeper understanding of the
diversity of typefaces and, based on a systematic analysis of
analogy and contrast, it establishes the urgently necessary
findings required for combining typefaces. An indispensable
standard work for typographers and graphic designers.
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