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The Rood in Medieval Britain and Ireland, c.800-c.1500 (Hardcover)
Loot Price: R1,291
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The Rood in Medieval Britain and Ireland, c.800-c.1500 (Hardcover)
Series: Boydell Studies in Medieval Art and Architecture
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New readings demonstrate the centrality of the rood to the visual,
material and devotional cultures of the Middle Ages, its richness
and complexity. The rood was central to medieval Christianity and
its visual culture: Christ's death on the cross was understood as
the means by which humankind was able to gain salvation, and
depictions of the cross, and Christ's death upon it,were
ubiquitous. This volume brings together contributions offering a
new perspective on the medieval rood - understood in its widest
sense, as any kind of cross - within the context of Britain and
Ireland, over a wide periodof time which saw significant political
and cultural change. In doing so, it crosses geographical,
chronological, material, and functional boundaries which have
traditionally characterised many previous discussions of the
medieval rood. Acknowledging and exploring the capacity of the rood
to be both universal and specific to particular locations and
audiences, these contributions also tease out the ways in which
roods related to one another, as well as how they related to their
physical and cultural surroundings, often functioning in dialogue
with other images and the wider devotional topography - both
material and mental - in which they were set. The chapters consider
roods in a variety of media and contexts: the monumental stone
crosses of early medieval England, twelfth-century Ireland, and,
spreading further afield, late medieval Galicia; the
three-dimensional monumental wooden roods in English monasteries,
Irish friaries, and East Anglian parish churches; roods that fit in
the palm of a hand, encased in precious metals, those that were
painted on walls, drawn on the pages of manuscripts, and those that
appeared in visions, dreams, and gesture.
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