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Poetics of History - Rousseau and the Theater of Originary Mimesis (Hardcover)
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Poetics of History - Rousseau and the Theater of Originary Mimesis (Hardcover)
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Rousseau's opposition to the theater is well known: Far from
purging the passions, it serves only to exacerbate them, and to
render them hypocritical. But is it possible that Rousseau's texts
reveal a different conception of theatrical imitation, a more
originary form of mimesis? Over and against Heidegger's dismissal
of Rousseau in the 1930s, and in the wake of classic readings by
Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the
deeply philosophical importance of Rousseau as a thinker who,
without formalizing it as such, established a dialectical logic
that would determine the future of philosophy: an originary
theatricality arising from a dialectic between "nature" and its
supplements. Beginning with a reading of Rousseau's Discourse on
Inequality, Lacoue-Labarthe brings out this dialectic in properly
philosophical terms, revealing nothing less than a transcendental
thinking of origins. For Rousseau, the origin has the form of a
"scene"-that is, of theater. On this basis, Rousseau's texts on the
theater, especially the Letter to d'Alembert, emerge as an incisive
interrogation of Aristotle's Poetics. This can be read not in the
false and conventional interpretation of this text that Rousseau
had inherited, but rather in relation to its fundamental concepts,
mimesis and katharsis, and in Rousseau's interpretation of Greek
theater itself. If for Rousseau mimesis is originary, a
transcendental structure, katharsis is in turn the basis of a
dialectical movement, an Aufhebung that will translate the word
itself (for, as Lacoue-Labarthe reminds us, Aufheben translates
katharein). By reversing the facilities of the Platonic critique,
Rousseau inaugurates what we could call the philosophical theater
of the future.
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