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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 -

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Poetics of History - Rousseau and the Theater of Originary Mimesis (Hardcover) Loot Price: R2,321
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Poetics of History - Rousseau and the Theater of Originary Mimesis (Hardcover): Philippe Lacoue-Labarthe

Poetics of History - Rousseau and the Theater of Originary Mimesis (Hardcover)

Philippe Lacoue-Labarthe; Translated by Jeff Fort

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List price R2,778 Loot Price R2,321 Discovery Miles 23 210 | Repayment Terms: R218 pm x 12* You Save R457 (16%)

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Rousseau's opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau's texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger's dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between "nature" and its supplements. Beginning with a reading of Rousseau's Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a "scene"-that is, of theater. On this basis, Rousseau's texts on the theater, especially the Letter to d'Alembert, emerge as an incisive interrogation of Aristotle's Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau's interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.

General

Imprint: Fordham University Press
Country of origin: United States
Release date: February 2019
First published: 2019
Authors: Philippe Lacoue-Labarthe
Translators: Jeff Fort
Dimensions: 191 x 127 x 18mm (L x W x T)
Format: Hardcover - Cloth over boards / Cloth
Pages: 176
ISBN-13: 978-0-8232-8234-0
Categories: Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Language & Literature > Literature: history & criticism > Plays & playwrights > General
Books > Humanities > History > Theory & methods > Historiography
Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
Books > History > Theory & methods > Historiography
Books > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
LSN: 0-8232-8234-1
Barcode: 9780823282340

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