In Private Affairs, Phillip Brian Harper explores the social and
cultural significance of the private, proposing that, far from a
universal right, privacy is limited by one's racial-and
sexual-minority status. Ranging across cinema, literature,
sculpture, and lived encounters-from Rodin's "The Kiss "to Jenny
Livingston's "Paris is Burning"-Private Affairs demonstrates how
the very concept of privacy creates personal and sociopolitical
hierarchies in contemporary America.
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