What is the relationship between 'body' and 'mind', 'inner' and
'outer' in any approach to acting? How have different modes of
actor training shaped actors' experiences of acting and how they
understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca
Loukes offer insight into such questions, analysing acting as a
psychophysical phenomenon and process across cultures and
disciplines, and providing in-depth accounts of culturally and
historically specific approaches to acting. Individual chapters
explore:
- psychophysical acting and the legacy of Stanislavsky
- European psychophysical practices of dance and theatre
- traditional and contemporary psychophysical approaches to
performance in India and Japan
- insights from the new sciences on the 'situated bodymind' of the
actor
- intercultural perspectives on acting
This lively study is ideal for students and practitioners alike.
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