Despite Eduardo Manet's impressive accomplishments extending
over half a century, this extraordinarily talented Cuban-French
author remains relatively unknown in the United States. Phyllis
Zatlin's book is the first to examine the multifaceted career of
this dynamic bilingual writer.
Playwright and novelist, theater and film director, Eduardo
Manet (b. 1930) has been a major participant in the cultural worlds
of both Cuba and France. His works have been internationally
acclaimed: he has been nominated for the Prix Goncourt and was
awarded a special Goncourt youth prize, and his novels and plays
have been translated into twenty-one languages. Manet's work,
however, has often been overlooked by both French and
Spanish-American critics because of his unique position as a Latin
American writing in French. Zatlin sets out to correct this
oversight by offering a detailed analysis of Manet's many genres
and themes. She begins with his work in Cuba, from his youthful
poetry and plays to the films he directed in revolutionary Cuba.
She then examines his seven full-length novels, all written in
French but typically reflective of Cuban experience. Finally,
Zatlin concludes her study by considering Manet's early plays of
entrapment and enclosure and his later theater, defined by its
metatheatrical and multicultural themes.
Through the lenses of multiculturalism, postmodernism,
metatheater, and farce, Zatlin provides a perceptive and
comprehensive examination of this significant yet neglected figure.
Zatlin's book will do the important work of introducing Manet to a
North American audience.
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