This book explores the formations and configurations of British
colonial discourse on India through a reading of prose narratives
of the 1600-1920 period.
Arguing that colonial discourse often relied on aesthetic
devices in order to describe and assert a degree of narrative
control over Indian landscape, Pramod Nayar demonstrates how
aesthetics furnished a vocabulary and representational modes for
the British to construct particular images of India.
Looking specifically at the aesthetic modes of the marvellous,
the monstrous, the sublime, the picturesque and the luxuriant,
Nayar marks the shift in the rhetoric from the exploration
narratives from the age of mercantile exploration to that of the
shikar memoirs of the late nineteenth and early twentieth century s
extreme exotic. English Writing and India provides an important new
study of colonial aesthetics, even as it extends current
scholarship on the modes of early British representations of new
lands and cultures.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!