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Cinema at the End of Empire - A Politics of Transition in Britain and India (Paperback, Annotated Ed)
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Cinema at the End of Empire - A Politics of Transition in Britain and India (Paperback, Annotated Ed)
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How did the imperial logic underlying British and Indian film
policy change with the British Empire's loss of moral authority and
political cohesion? Were British and Indian films of the 1930s and
1940s responsive to and responsible for such shifts? Cinema at the
End of Empire illuminates this intertwined history of British and
Indian cinema in the late colonial period. Challenging the rubric
of national cinemas that dominates film studies, Priya Jaikumar
contends that film aesthetics and film regulations were linked
expressions of radical political transformations in a declining
British empire and a nascent Indian nation. As she demonstrates,
efforts to entice colonial film markets shaped Britain's national
film policies, and Indian responses to these initiatives altered
the limits of colonial power in India. Imperially themed British
films and Indian films envisioning a new civil society emerged
during political negotiations that redefined the role of the state
in relation to both film industries.In addition to close readings
of British and Indian films of the late colonial era, Jaikumar
draws on a wealth of historical and archival material, including
parliamentary proceedings, state-sponsored investigations into
colonial filmmaking, trade journals, and intra- and
intergovernmental memos regarding cinema. Her wide-ranging
interpretations of British film policies, British initiatives in
colonial film markets, and genres such as the Indian mythological
film and the British empire melodrama reveal how popular film
styles and controversial film regulations in these politically
linked territories reconfigured imperial relations. With its
innovative examination of the colonial film archive, this richly
illustrated book presents a new way to track historical change
through cinema.
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