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The Politics of Magic - DEFA Fairy-Tale Films (Paperback)
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The Politics of Magic - DEFA Fairy-Tale Films (Paperback)
Series: Series in Fairy-Tale Studies
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Discovery Miles: 10 550
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From Paul Verhoeven's The Cold Heart in 1950 to Konrad Petzold's
The Story of the Goose Princess and Her Loyal Horse Falada in 1989,
East Germany's state-sponsored film company, DEFA (Deutsche
Film-Aktiengesellschaft), produced over forty feature-length,
live-action fairy-tale films based on nineteenth-century folk and
literary tales. While many of these films were popular successes
and paved the way for the studio's other films to enter the global
market, DEFA's fairy-tale corpus has not been studied in its
entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna
Shen fills this gap by analyzing the films on thematic and formal
levels and examining their embedded agendas in relation to the
cultural politics of the German Democratic Republic. In five
chapters, Shen compares the films with earlier print versions of
the same stories and analyzes revisions made in DEFA's film
adaptations. She also distinguishes the DEFA fairy-tale films from
National Socialist, West German, and Disney adaptations of the same
tales. Her archival work reconstitutes the cultural-historical
context in which films were produced and received, and incorporates
the films into the larger narrative of DEFA. For the first time,
the banned DEFA fairy-tale comedy, The Robe (1961/1991), is
discussed in depth. The book's title The Politics of Magic is not
intended to suggest that DEFA fairy-tale films were merely
mouthpieces of official ideology and propaganda. On the contrary,
Shen shows that the films run the gamut from politically dogmatic
to implicitly subversive, from kitschy to experimental. She argues
that the fairy-tale cloak permitted them to convey ideology in a
subtle, indirect manner that allowed viewers to forget Cold War
politics for a while and to delve into a world of magic where
politics took on an allegorical form. The fact that some DEFA
fairy-tale films developed an international audience (particularly
The Story of Little Mook and Three Hazelnuts for Cinderella) not
only attests to these films' universal appeal but also to the
surprising marketability of this branch of GDR cinema and its
impact beyond the GDR's own narrow temporal and geographic
boundaries. Shen's study will be significant reading for teachers
and students of folklore studies and for scholars of German,
Eastern European, cultural, film, media, and gender studies.
General
Imprint: |
Wayne State University Press
|
Country of origin: |
United States |
Series: |
Series in Fairy-Tale Studies |
Release date: |
June 2015 |
Authors: |
Qinna Shen
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Dimensions: |
229 x 152 x 24mm (L x W x T) |
Format: |
Paperback
|
Pages: |
352 |
ISBN-13: |
978-0-8143-3903-9 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-8143-3903-4 |
Barcode: |
9780814339039 |
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