What's the worst thing you can do to Shakespeare? The answer is
simple: don't read him. To that end, Richard Burt and Julian Yates
embark here on a project of un/reading the Bard, through both
reverent and irreverent discourse. Addressing recent critical
debates around problems of print and performance, works in media
theory and deconstruction, and film adaptations, the chapters
uncover areas of confluence and reveal the inventive ways in which
these areas respond to each other. Ultimately, this book turns
conventional challenges into a roadmap for textual analysis and a
thorough reconsideration of the plays in light of their absorption
into global culture.
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