"Black" British Aesthetics Today is a collection of twenty-four
exciting critical and theoretical essays exploring current thinking
about the hottest artistic, literary, and critical works now being
produced by "black" Britons.This book features a number of chapters
by the avant-garde "black" British novelists, poets, and artists
themselves. It includes, for instance, aesthetic manifestos by
Diran Adebayo, Anthony Joseph, Roshini Kempadoo, Sheree Mack,
Valerie Mason-John, and SuAndi as well as key essays by globally
renowned critics, including Amna Malik, Kobena Mercer, Lauri Ramey,
Roy Sommer, and many others. As a compendium, this book represents
a powerfully fresh intellectual current of thought. It provides
readers with important insights into contemporary "black"
aesthetics, and it includes an array of important clarifications
initially voiced at the groundbreaking international symposium that
took place on April 8, 2006, at Howard University in Washington,
D.C., by outstanding new scholars in this burgeoning field of
study: e.g., Kevin Etienne-Cummings, Valerie Kaneko Lucas, Michael
McMillan, Magdalena Maczynska, Courtney Martin, Jude Okpala,
Deirdre Osborne, Koye Oyedeji, Meenakshi Ponnuswami, Sandra
Ponzanesi, Andrene M. Taylor, Samera Owusu Tutu, and Tracey
Walters.The authors contextualise contemporary "black" British
aesthetics in relation to the African, African American, and
Postcolonial aesthetic traditions; they explore an exciting array
of critical theories, trends of feeling, and lively aesthetic
movements thriving today in "black" Britain; and they examine and
assess embodied aesthetics at play in a wide range of specific
works by today's most brilliant "black" British novelists, poets,
photographers, live performance artists, dramatists, architects,
musicians, graphic artists, and cinematographers.
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