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Art and Ideology in European Opera - Essays in Honour of Julian Rushton (Hardcover)
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Art and Ideology in European Opera - Essays in Honour of Julian Rushton (Hardcover)
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Essays highlight the interplay between opera, art and ideology
across three centuries. Three broad themes are opened up from a
variety of approaches: nationalism, cosmopolitanism and national
opera; opera, class and the politics of enlightenment; and opera
and otherness. Opera, that most extravagant of the performing arts,
is infused with the contexts of power-brokering and cultural
display in which it was conceived and experienced. For individual
operas such contexts have shifted over time and new meanings
emerged, often quite remote from those intended by the original
collaborators; but tracing this ideological dimension in a work's
creation and reception enables us to understand its cultural and
political role more clearly - sometimes conflicting with its status
as art and sometimes enhancing it. This collection is a Festschrift
in honour of Julian Rushton, one of the most distinguished opera
scholars of his generation and highly regarded for his innovative
studies of Gluck, Mozart and Berlioz, among many others.
Colleagues, associates and former students pay tribute to his work
with essays highlighting the interplay between opera, art and
ideology across three centuries. Three broad themes are opened up
from a variety of approaches: nationalism, cosmopolitanism and
national opera; opera, class and the politics of enlightenment; and
opera and otherness. British opera is represented bystudies of
Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the
collection sustains a truly European perspective rounded out with
essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi,
Puccini, Janacek, Nielsen, Rimsky-Korsakov and Schreker. Several
works receive some of their first extended discussion in English.
RACHEL COWGILL is Professor of Musicology at Liverpool Hope
University. DAVID COOPER is Professor of Music and Technology at
the University of Leeds. CLIVE BROWN is Professor of Applied
Musicology at the University of Leeds. Contributors: MARY K.
HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE
MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER
HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER,
RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR,
JOHN TYRRELL.
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