Scholars of Edmund Spenser have focused much more on his
accomplishments in epic and pastoral than his work in satire.
Scholars of early modern English satire almost never discuss
Spenser. However, these critical gaps stem from later developments
in the canon rather than any insignificance in Spenser's
accomplishments and influence on satiric poetry. This book argues
that the indirect form of satire developed by Spenser served during
and after Spenser's lifetime as an important model for other poets
who wished to convey satirical messages with some degree of safety.
The book connects key Spenserian texts in The Shepheardes Calender
and the Complaints volume with poems by a range of authors in the
late sixteenth and early seventeenth centuries, including Joseph
Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George
Wither, to advance the thesis that Spenser was seen by his
contemporaries as highly relevant to satire in Elizabethan England.
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