Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Mapping Medieval Identities in Occitanian Crusade Song (Hardcover)
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Mapping Medieval Identities in Occitanian Crusade Song (Hardcover)
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In medieval Occitania (southern France), troubadours and monastic
creators fostered a vibrant musical culture. In response to the
early Crusade campaigns of the twelfth and thirteenth centuries,
Christians of the region turned to producing monophonic, poetic
song, encompassing both secular and sacred genres. These works
assert shifting regional identities and worldviews, exploring
devotional practices and religious beliefs, overlaid with notions
of contemporaneous geopolitics and secular, intellectual interests.
Mapping Medieval Identities in Occitanian Crusade Song demonstrates
the profound impact the Crusades had on two seemingly discrete
musical-poetic practices: the Latin, sacred Aquitanian versus,
associated with Christian devotion, and the vernacular troubadour
lyric, associated with courtly love. Rachel May Golden investigates
how such Crusade songs distinctively arose out of their geographic
environment, uncovering intersections between the beginning of Holy
War and the emergence of new styles of poetic-musical composition.
She brings together sacred and secular genres of the region to
reveal the inventiveness of new composition and the imaginative
scope of the Crusades within medieval culture. These songs reflect
both the outer world and interior lives, and often their
conjunction, giving shape and expression to concerns with the
Occitanian homeland, spatial aspects of the Crusades, and newly
emerging positions within socio-political history. Drawing on
approaches from cultural geography, literary studies, and
musicology, Mapping Medieval Identities in Occitanian Crusade Song
provides a timely perspective on geopolitical and cultural
interactions between nations.
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