Criminology has been reluctant to embrace fictional narratives as a
tool for understanding, explaining and reducing crime and social
harm. In this philosophical enquiry, McGregor uses examples from
films, television, novels and graphic novels to demonstrate the
extensive criminological potential of fiction around the world.
Building on previous studies of non-fiction narratives, the book is
the first to explore the ways criminological fiction provides
knowledge of the causes of crime and social harm. For academics,
practitioners and students, this is an engaging and
thought-provoking critical analysis that establishes a bold new
theory of criminological fiction.
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