In this collection, leading scholars in both film studies and
Israeli studies show that beyond representing familiar historical
accounts or striving to offer a more complete and accurate
depiction of the past, Israeli cinema has innovatively used trauma
and memory to offer insights about Israeli society and to engage
with cinematic experimentation and invention. Tracing a long line
of films from the 1940s up to the 2000s, the contributors use close
readings of these films not only to reconstruct the past, but also
to actively engage with it. Addressing both high-profile and lesser
known fiction and non-fiction Israeli films, Deeper than Oblivion
underlines the unique aesthetic choices many of these films make in
their attempt to confront the difficulties, perhaps even
impossibility, of representing trauma. By looking at recent and
classic examples of Israeli films that turn to memory and trauma,
this book addresses the pressing issues and disputes in the field
today.
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