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The Politics of Loss and Trauma in Contemporary Israeli Cinema (Paperback)
Loot Price: R1,240
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The Politics of Loss and Trauma in Contemporary Israeli Cinema (Paperback)
Series: Routledge Advances in Film Studies
Expected to ship within 12 - 17 working days
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The last decade has marked the growing visibility and worldwide
interest in Israeli cinema. Films such as Walk on Water, Or, My
Treasure, Beaufort and Waltz with Bashir have been commercially and
critically successful both in Europe and the United States and have
won a number of prestigious international awards. This book
examines for the first time the new ideological and aesthetic
trends in contemporary Israeli cinema. More specifically, it
critically explores the complex and crucial role of Israeli cinema
in remembering and restaging traumas and losses that were denied
entry into the shared national past. One of the most striking
phenomena in contemporary Israeli cinema is the number and scope of
films dealing with past traumatic events - events that were
repressed or insufficiently mourned, such as the memory of the
Holocaust, traumas from wars and terrorist attacks, and the losses
entailed by the experience of immigration. Current Israeli cinema
exposes and highlights a radical discontinuity between history and
memory. Traumatic events from Israeli society's past are
represented as the private memory of distinct social groups -
soldiers, immigrants, women, queers - and not as collective memory,
as a lived and practiced tradition that conditions Israeli society.
This detachment from national collective memory pulls the films
into a world marked by a persistent blurring of the historical
context and by private and subjective impressions - a timeless
world of dreams, hallucinations and myths. These groups feel
duty-bound to remember the past, recasting repressed memories
through the cinema in order to return and to give meaning to their
identity.
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