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Outlaw Heroes as Liminal Figures of Film and Television (Paperback)
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Outlaw Heroes as Liminal Figures of Film and Television (Paperback)
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Unlike such romanticized renegades as Robin Hood and Jesse James,
there is another kind of outlaw hero, one who lives between the law
and his own personal code. In times of crisis, when the law proves
inadequate, the liminal outlaw moves amid the social imperatives of
the community and his innate, sense of right and wrong. While
society requires his services, he necessarily remains apart from it
in self-preservation. The modern outlaw hero of film and television
is rooted in the knight errant, whose violent exploits are tempered
by his solitude and devotion to a higher ideal. In Hollywood
classics such as Casablanca (1942) and Shane (1953), and in early
series like The Lone Ranger (1949-1957) and Have Gun-Will Travel
(1957-1963), he reconciles for audiences the conflicting impulse to
retain individual freedom while serving a larger cause. Urban
westerns like the Dirty Harry and Death Wish franchises, as well as
action icons like Rambo and Batman, testify to his enduring
popularity. This book examines the liminal outlaw hero's origins in
medieval romance, his survival in the mythology of the Hollywood
western and his incarnations in the urban western and modern action
film.
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