Gandhi 's use of the spinning wheel was one of the most
significant unifying elements of the nationalist movement in India.
Spinning was seen as an economic and political activity that could
bring together the diverse population of South Asia, and allow the
formerly elite nationalist movement to connect to the broader
Indian population.
This book looks at the politics of spinning both as a visual
symbol and as a symbolic practice. It traces the genealogy of
spinning from its early colonial manifestations in Company painting
to its appropriation by the anti-colonial movement. This complex of
visual imagery and performative ritual had the potential to
overcome labour, gender, and religious divisions and thereby
produce an accessible and effective symbol for the Gandhian
anti-colonial movement. By thoroughly examining all aspects of this
symbol 's deployment, this book unpacks the politics of the
spinning wheel and provides a model for the analysis of political
symbols elsewhere. It also probes the successes of India 's
particular anti-colonial movement, making an invaluable
contribution to studies in social and cultural history, as well as
South Asian Studies.
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