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The Politics of Love - Sexuality, Gender, and Marriage in Syrian Television Drama (Paperback)
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The Politics of Love - Sexuality, Gender, and Marriage in Syrian Television Drama (Paperback)
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Dramatic miniseries are the primary arena for the expression of
postcolonial Syrian culture and artistic talent, an arena that
unites diverse aspects of artisanship in a struggle over visions of
the past, present, and future of the nation. As the tour de force
of the television medium, blossoming amidst persisting
authoritarianism, these miniseries serve as a crucial and complex
artistic avenue through which political and social opposition
manifests. Scholars have tried to come to terms with a highly
critical culture produced within attempted state co-optation, and
argue that politically critical culture operates as a "safety
valve" to release frustrations so that dissenters are less likely
to mobilize against the government. Through research fueled by a
viewing of over two hundred and fifty miniseries ranging from the
1960s to the present-as well as an examination of hundreds of press
reports, Facebook pages, and extensive interviews with drama
creators-this book turns away from the dominant paradigm that
focuses on regime intent. When turning attention instead to the
drama creators themselves we witness the polyphony of voices
employing love and marriage metaphors and gender (de)constructions
to explore larger issues of nationalism, self-identity, and
political critique. At the heart of constructions of femininity are
the complications that arise with the symbiosis of pure femininity
with authentic national identity. Deconstructing masculinity as
political critique has been less complicated since it is not
implicated in Western identity issues; on the contrary,
illustrations of subservient masculinity serve to subtly denounce
government corruption and oppression. Miniseries from the 1960s
demonstrate that the focus of the qabaday (tough man) on female
sexuality comes from his own political alienation vis-a-vis the
state, and is part of a vicious cycle of state violence vis-a-vis
the citizen. In recent years, and in particular after the uprising,
we can see the emerging definition of the true qabaday as one who
does not suppress a woman's sexuality, thereby allowing for full
equality in relationships as the basis of a truly free society.
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