Alternative approaches have emerged which have radically altered
our understanding of Tennyson's poetry and his relationship to the
Victorian age. This text covers the most significant areas of new
work on Tennyson, effectively linking feminist and gender studies
with deconstructive, psychoanalytic and linguistic attention. The
Introduction discusses ways in which orthodox critical approaches
have dominated readings of Tennyson's poetry and provides a
critical overview of the radical reappraisal of his work. It also
provides a guide to the varied ways in which these new debates have
shaped and are shaping themselves, with a final discussion of the
future directions which Tennyson criticism is likely to take. The
essays chosen cover and reflect a range of modes of critical
enquiry compelling in themselves.
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