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King Arthur in Music (Hardcover)
Loot Price: R2,178
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King Arthur in Music (Hardcover)
Series: Arthurian Studies
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A survey of the influence of the Arthurian legends on musical
works. King Arthur in Music is the first book to be devoted to the
subject. The range of musical material is too wide for a single
author to tackle satisfactorily, and the nine contributors to this
volume are experts in the very different fields involved. The first
essay, by Robert Shay, deals with the late seventeenth century
semi-opera King Arthur, while the final essay by William Everitt
looks at the appearances of Arthur on stage and screen and the
scores that have accompanied these. Between these two extremes, the
main body of the book deals largely with opera as we now understand
it, from Wagner's 'Tristan' and 'Parsifal' to Harrison Birtwistle's
'Sir Gawain and the GreenKnight'. Some works have never been
performed, such as Hubert Parry's 'Guenever' and Rutland Boughton's
Arthurian cycle, while others have only recently been staged or
revived, such as Isaac Albeniz's 'Merlin' and Ernest Chausson's 'Le
roi Artus', both striking post-Wagnerian works in very different
styles: 'Merlin', for instance, begins with a passage based on
Gregorian chant. The range of music is therefore wider than one
might at first suspect, and other aspects of Arthurian music are
brought out in the introduction, which is a general survey of the
field, and in Jerome V.Reel's comprehensive listing of Arthurian
musical items which is printed as an appendix. Contributors ROBERT
ADLINGTON, RICHARD BARBER, WALTER A. CLARK, JEREMY DIBBLE, WILLIAM
A. EVERITT, TONY HUNT, MICHAEL HURD, JEROME V. REEL, NIGEL SIMEONE,
ROBERT SHAY, DEREK WATSON.
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