This book presents extensive research into the cinematic
representation of the British-identifying Protestant, unionist and
loyalist community in Northern Ireland and is the first time such
comprehensive analysis has been produced. Gallagher's research
traces the history of the community's representation in cinema from
the emergence of depictions of both nationalist and unionist
communities in social-realist dramas in 1980s British and Irish
cinema to today, through periods such as those focused on violent
paramilitaries in the 1990s and irreverent comedy after the
Northern Ireland peace process. The book addresses the perception
that the Irish nationalist community has been depicted more
frequently and favourably than unionism in films about the period
of conflict known as "The Troubles". Often argued to be the result
of an Irish nationalist bias within Hollywood, Gallagher argues
that there are other inherent and systemic reasons for this
cinematic deficit.
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