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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada

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Memoirs of a Dada Drummer (Paperback) Loot Price: R723
Discovery Miles 7 230
You Save: R83 (10%)

Memoirs of a Dada Drummer (Paperback)

Richard Huelsenbeck; Edited by Hans J. Kleinschmidt; Foreword by Rudolf Kuenzli

Series: Documents of Twentieth-Century Art

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List price R806 Loot Price R723 Discovery Miles 7 230 | Repayment Terms: R68 pm x 12* You Save R83 (10%)

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Huelsenbeck's chosen role for the literary-revolutionary Dada evenings at Cabaret Voltaire (see also Ball, above) was the reading of "sound-poems" with the inevitable refrain umba, umba and the beating of a drum (like Oskar from the Grass novel?). His absurdist collection of poetry Phantastische Gebete brought great distress to his mother, who no doubt could not understand what had come over her son the doctor. He liked to think of himself as "the first existentialist" and of Sartre, who has proclaimed "Moi, je suis le nouveau dada," as an accredited follower. What distinguishes this "moralist-cum-mischief-maker" from the deeply philosophical Hugo Ball is the very evident pagan pleasure he takes in having "annoyed the world," his enthusiasm for deeming and re-defining the spirit of Dada, and for promoting its values (epater le bourgeois) on both sides of the Atlantic. Huelsenbeck, who fled Germany after Hitler, obtained an American medical license thanks to the intervention of Albert Einstein and practiced psychoanalysis with Karen Horney. Many of the short essays here - including homage to Arp, Duchamp, Tinguely, Grosz and disrespect for co-founder Tzara - date from the '50's and '60's. "Psychoanalytical Notes on Modern Art" and "Modern Art and Totalitarian Regimes" are noteworthy pieces on the origins of aesthetic subjectivity and abstractionism. Insofar as it can be explained in the conventions of language ("You cannot and probably should not understand Dada. It will always remain a living part of the essentially inexplicable"), Huelsenbeck is the movement's foremost interpreter. (Kirkus Reviews)
Richard Huelsenbeck's memoirs bring to life the intellectual, artistic, and political concerns of the individuals involved in the Dada movement and document its controversies. Illustrated with woodcuts and drawings by George Grosz and Hans Arp, 'Memoirs of a Dada Drummer' also includes a sixteen-page section of rare photographs.

General

Imprint: University of California Press
Country of origin: United States
Series: Documents of Twentieth-Century Art
Release date: June 1991
First published: 1991
Authors: Richard Huelsenbeck
Editors: Hans J. Kleinschmidt
Foreword by: Rudolf Kuenzli
Dimensions: 215 x 139 x 18mm (L x W x T)
Format: Paperback - Trade
Pages: 202
ISBN-13: 978-0-520-07370-8
Categories: Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
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LSN: 0-520-07370-3
Barcode: 9780520073708

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