This anthology explores the resilience and ubiquity of the Gothic
in cinema from its earliest days to its most contemporary
iterations. Fifteen newly commissioned chapters by prominent
scholars in the field of Gothic and cinema studies examine the
myriad ways that filmmakers mobilise Gothic conceits across
multiple film genres and in conjunction with several significant
film styles. In the process, the book contributes exciting new
readings of canonical works of Gothic cinema as well as important
new critical examinations of emerging horror subgenres.
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