To restrict performance of the Schumann Lieder to the "familiar
forty" is to deprive the singer and pianist of a major reservoir of
superior song. Thus Singing Schumann not only takes an in-depth
look at the widely performed middle and late Lieder, it also fully
reconsiders the early songs. Offering the same readability and
informed insights in this volume that distinguished his acclaimed
On the Art of Singing (OUP 1996), Miller presents a practical
manual to help singers and pianists bring Robert Schumann's Lieder
to life in performance. He also provides cogent suggestions for
interpretation of all of Schumann's solo and duet songs, useful
pointers that are grounded in a thorough understanding of
Schumann's compositional style and its full historical background.
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