This book is about how TV makers--notably writers, producers,
and network programmers--are deeply influenced by public pressures
outside their craft. Many scholars assume that the relationship
between society and television is one-way, that the traffic of
influence moves from the content of a program to the behavior of
those who view it, and that if a show is too exploitative or
violent or stereotypical, it transforms the minds of those who
watch it in some manner. Authors Selnow and Gilbert maintain that
the one-way influence is only half-true. Even as television makes
its impact on viewers, viewers, society, and society's institutions
make their impact on television, often with more noticeable
effect.
Some of television's most influential and best known producers
and programmers (including Grant Tinker, Norman Lear, Steven
Bochco, and Gary David Goldberg) discuss the forces that affect
their selection of themes and treatments, why they include or
reject material, and how they view their opinion leader roles and
their roles as members of the society that is so influenced by
their products. Selnow and Gilbert examine many of the obvious as
well as less apparent forces that affect content decisions:
government regulations, interest groups, and advertisers. They
argue that the rapid advancement in telecommunication technologies
has as much to do with what we watch as any of the social forces.
The authors look not only at the current control of content, but
point toward the consortium of influences that will affect the
medium as it evolves rapidly throughout the next decade.
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