This short history of Shakespeare in global performance-from the
re-opening of London theatres upon the restoration of the monarchy
in 1660 to our present multicultural day-provides a comprehensive
overview of Shakespeare's theatrical afterlife and introduces
categories of analysis and understanding to make that afterlife
intellectually meaningful. Written for both the advanced student
and the practicing scholar, this work enables readers to situate
themselves historically in the broad field of Shakespeare
performance studies and equips them with analytical tools and
conceptual frameworks for making their own contributions to the
field.
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