In an age where art history's questions are now expected to
receive answers, Richard Shiff presents a challenging alternative.
In this essential new addition to James Elkins's series Theories of
Modernism and Postmodernism in the Visual Arts, Richard Shiff
embraces doubt as a critical tool and asks how particular histories
of art have come to be.
Shiff's turn to doubt is not a retreat to relativism, but rather
an insistence on clear thinking about art. In particular, Shiff
takes issue with the style of self-referential art writing
seemingly 'licensed' by Roland Barthes. With an introduction by
Rosie Bennett, Doubt is a study of the tension between practicing
art and practicing criticism.
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