This book is the first to take comedy seriously as an important
aspect of the popular mockumentary form of film and television
fiction. It examines the ways in which mockumentary films and
television programmes make visible-through comedy-the performances
that underpin straight documentaries and many of our public
figures. Mockumentary Comedy focuses on the rock star and the
politician, two figures that regularly feature as mockumentary
subjects. These public figures are explored through detailed
textual analyses of a range of film and television comedies,
including A Hard Day's Night, This is Spinal Tap, The Thick of It,
Veep and the works of Christopher Guest and Alison Jackson. This
book broadens the scope of existing mockumentary scholarship by
taking comedy seriously in a sustained way for the first time. It
ultimately argues that the comedic performances-by performers and
of documentary conventions-are central to the form's critical
significance and popular appeal.
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