Fifteen years ago, revelations about the political misdeeds of
Martin Heidegger and Paul de Man sent shock waves throughout
European and North American intellectual circles. Ever since,
postmodernism has been haunted by the specter of a compromised
past. In this intellectual genealogy of the postmodern spirit,
Richard Wolin shows that postmodernism's infatuation with fascism
has been widespread and not incidental. He calls into question
postmodernism's claim to have inherited the mantle of the left--and
suggests that postmodern thought has long been smitten with the
opposite end of the political spectrum.
In probing chapters on C. G. Jung, Hans-Georg Gadamer, Georges
Bataille, and Maurice Blanchot, Wolin discovers an unsettling
commonality: during the 1930s, these thinkers leaned to the right
and were tainted by a proverbial "fascination with fascism."
Frustrated by democracy's shortcomings, they were seduced by
fascism's grandiose promises of political regeneration. The
dictatorships in Italy and Germany promised redemption from the
uncertainties of political liberalism. But, from the beginning,
there could be no doubting their brutal methods of racism,
violence, and imperial conquest.
Postmodernism's origins among the profascist literati of the
1930s reveal a dark political patrimony. The unspoken affinities
between Counter-Enlightenment and postmodernism constitute the
guiding thread of Wolin's suggestive narrative. In their mutual
hostility toward reason and democracy, postmodernists and the
advocates of Counter-Enlightenment betray a telltale strategic
alliance--they cohabit the fraught terrain where far left and far
right intersect.
Those who take Wolin's conclusions to heart will never view the
history of modern thought in quite the same way.
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