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Session C74: Methods of Art History Tested against Prehistory; Session C81: Spirals and Circular Forms: the Most Common Rock Art in the World Session (Paperback, New)
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Session C74: Methods of Art History Tested against Prehistory; Session C81: Spirals and Circular Forms: the Most Common Rock Art in the World Session (Paperback, New)
Series: British Archaeological Reports International Series
Expected to ship within 10 - 15 working days
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Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September
2006), Vol. 35. Contents: Introduction (Marc Groenen & Didier
Martens); 1) Application de la methodologie de lHistoire de lart a
letude de lart paleolithique: lattribution des oeuvres anonymes a
ses auteurs (Juan-Maria Apellaniz); 2) Les peintures de la grotte
de la Pasiega A (Puente Viesgo, Cantabrie) a lepreuve de la methode
de lattribution (Marc Groenen, Didier Martens); 3) The recognition
of diversity through style in the Saharan rock-art research: an
historiographic approach from the Western Sahara (Joaquim Soler
Subils); 4) The rock art of South-Morocco revisited: On surprising
stylistic and thematic characteristics of the so-called
Pseudo-Bovidien and Tazinien rock art from the mid valley of Wadi
Draa (Renate Heckendorf); 5) Spirals in Humahuaca and in the NW of
Argentina (South America) Alicia Ana (Fernandez Distel, Jose Luis
Mamani); 6) Spirals at Sturts Meadows (John Clegg); 7) Circular
elements in the rock art of the State of Bahia, Brazil (Guilherme
Albagli de Almeida); 8) Spirals of the prehistoric Open Rock
painting from Kosova (Edi Shukriu); 9) To be or not to be
Palaeolithic, that is the question (Robert G. Bednarik); 10) The
Margot Cave (Mayenne): a new palaeolithic sanctuary in West France
(Romain Pigeaud et al.) 11) Fluted Animals in the Zone of Crevices,
Gargas Cave, France (Kevin Sharpe, Leslie Van Gelder); 12)
Schematic panel with paleolithic punctuation and other questions of
Paleoastronomy and Philosophy of Antiquity (Jose Fernandez
Quintano); 13) Epipaleolithic and Mesolithic Burials from 12.000 to
7.000 BP in Llevantin Territory Art Rock (Carme Olaria, Francesc
Gusi, Jose Luis Lopez); 14) Gravuras serpentiformes na regiao de
Tras-os-Montes (Maria Fernanda Ferrato Melo de Carvalho); 15) The
Camera Obscura and the Origin of Art: The Case for Image Projection
in the Paleolithic (Matt Gatton, Leah Carreon, Madison Cawein,
Walter Brock, and Valerie Scott); 16) Etude et presentation de lart
rupestre en Iran (exemple detude dans les regions du province
central et Kerman dIran) (Elyas Saffaran; 17) Archeological Use of
Caves on the Northwestern Plains, USA (John Greer and Mavis Greer);
18) Mogollon rock art and the status of the flute player (Maarten
van Hoek); 19) The findings of the presence of the sabre toothed
tiger (Beltrao, M. C. M. C. and Locks, M.).
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