For investing movies with an image of style and glamour George
Cukor (1899--1983) is considered one of the founding fathers of the
Golden Age of Hollywood. The roll call of the great films he made
and the stars he directed validates his rank as one of cinema's
greatest moviemakers.
"The only really important thing I have to say about George
Cukor," Katharine Hepburn proclaimed, "is that all the other
directors I have worked with starred themselves. But George
'starred' the actor. He didn't want people to say, 'this great
director.' He wanted them to say 'this great actor.' "
Along with introducing Hepburn and Greta Garbo to American
audiences, he worked with many of the most acclaimed movie
actresses of his day, including Vivien Leigh, Olivia de Havilland,
Jean Harlow, Elizabeth Taylor, Joan Crawford, Ingrid Bergman, Ava
Gardner, Claudette Colbert, Angela Lansbury, Judy Holliday, Audrey
Hepburn, and Marilyn Monroe.
These interviews are a pleasure to read because Cukor is so
immersed in his subject and so forthright in his observations. He
comes to life immediately with disarming candor and infectious
enthusiasm for cinema and the people who make it.
In addition to discussing his romantic comedies, Cukor talks
about his famous screen adaptations of classic novels and plays,
including "Little Women" (1933) and "David Copperfield" (1935). His
experience of being fired by producer David O. Selznick partway
through the shooting of "Gone With the Wind" (1939) surfaces in
nearly every interview. Instead of having his career derailed by
this dismissal, however, he continued his rise as one of America's
premier directors. In his cornucopia of films are "Holiday" (1938),
"The Philadelphia Story" (1940), "Adam's Rib" (1949), "Born
Yesterday" (1950), "A Star Is Born" (1954), "Let's Make Love"
(1960), and "My Fair Lady" (1964).
Cukor was a man of myriad dimensions. In his last years he
opened up about his private life and his previously undisclosed
homosexuality. He was ardent in his friendships and single-minded
in his devotion to making quality movies for a popular
audience.
Robert Emmet Long, a literature and film scholar and writer
living in Fulton, New York, is the author or editor of more than
forty books, including "John Huston: Interviews" (University Press
of Mississippi).
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