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Cinema Inferno - Celluloid Explosions from the Cultural Margins (Hardcover)
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Cinema Inferno - Celluloid Explosions from the Cultural Margins (Hardcover)
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Cinema Inferno: Celluloid Explosions from the Cultural Margins
addresses significant areas (and eras) of "transgressive"
filmmaking, including many subgenres and styles that have not yet
received much critical attention. This collection of essays covers
both contemporary films and those produced in the last 50 years to
provide a theoretical framework for looking at transgressive cinema
and what that means. This volume begins with a number of essays
that examine the aesthetic of "realism," tracing it through the
late Italian Neo-Realism of Pasolini, the early films of Melvin Van
Peebles, and Canadian filmmaker Guy Maddin. Another section focuses
on '70s Italian horror and thrillers, including a substantially
different examination of filmmaker Dario Argento, as well as essays
on critically underrepresented directors Lucio Fulci and Sergio
Martino. A section on New York looks at both radical independents
like Troma and Andy Milligan, as well as the social context from
which a view of the metropolis-in-decay emerged. Sections also
cover the experimental work of the Vienna Action Group and
controversial filmmaker Michael Haneke, as well as films and genres
too idiosyncratic and disturbing to fit anywhere else, including
analyses of Nazi propaganda films, fundamentalist Christian "scare"
movies, and postwar Japanese youth films. The final essays try to
come to terms with a mainstream flirtation with "transgressive"
film and Grindhouse aesthetics.
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