The latest volume in the Michigan Modern Dramatists series
offers an authoritative but accessible look at Harold Pinter, one
of the greatest and most influential postwar British playwrights
and author of classic works such as "The Birthday Party" and "The
Homecoming." Pinter was awarded the Nobel Prize for Literature in
2005 for his remarkable body of work and plays that "uncover the
precipice under everyday prattle and force entry into oppression's
closed rooms."
"Harold Pinter: The Theatre of Power" focuses on the
playwright's continuously innovative experiments in theatrical form
while tracing the recurrence of a consistent set of ethical and
epistemological concerns. Exploring important plays from across
this prolific writer's career, author Robert Gordon argues that the
motivating force in almost all of Pinter's drama is the ceaseless
desire for power, represented in his work as a compulsive drive to
achieve or maintain dominance--whether it be the struggle to defend
one's own territory from intruders, the father's battle with his
sons to assert his patriarchal position in the family, the
manipulation of erotic feelings in the gender warfare that
motivates sexual relationships, the abuse of brute force by
dictatorships and democracies, or simply the masculine obsession to
dominate. Gordon demonstrates the adventurousness of Pinter's
experimentation with form while at the same time exposing the
ethical, epistemological, and aesthetic preoccupations that have
persisted with remarkable consistency throughout his career.
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