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The Music in African American Fiction - Representing Music in African American Fiction (Hardcover)
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The Music in African American Fiction - Representing Music in African American Fiction (Hardcover)
Series: Studies in African American History and Culture
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This is the first comprehensive historical analysis of how black
music and musicians have been represented in the fiction of African
American writers. It also examines how music and musicians in
fiction have exemplified the sensibilities of African Americans and
provided paradigms for an African American literary
tradition.
The fictional representation of African American music by black
authors is traced from the nineteenth century (William Wells Brown,
Martin Delany, Pauline E. Hopkins, Paul Laurence Dunbar) through
the early twentieth century and the Harlem Renaissance (James
Weldon Johnson, Langston Hughes, Claude McKay, Zora Neale Hurston)
to the 1940s and 50s (Richard Wright, Ann Petry, James Baldwin,
Ralph Ellison) and the 1960s and the Black Arts Movement (Margaret
Walker, William Melvin Kelley, Leroi Jones/Amiri Baraka, Henry
Dumas). In the century between Brown and Baraka, the representation
of music in black fiction went through a dramatic metamorphosis.
Music occupied a representative role in African American culture
from which writers drew ideas and inspiration. The music provided a
way out of a limited situation by offering a viable option to the
strictures of racism. Individuals who overcome these limitations
then become role models in the struggle toward equality. African
American musical forms-for both artist and audience-also offerd a
way of looking at the world, survival, and resistance. The black
musician became a ritual leader. This study delineates how black
writers have captured the spirit of the music that played such a
pivotal role in African American culture. (Ph.D. dissertation,
State University of New York at Stony Brook, 1993; revised with new
prefaceand index)
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