Painting as simulation and hyperreality: Peter Halley and the
digital age. In the 1980s, Peter Halley revitalised painting by
relying on sociology and science fiction. He employed fluorescent
colours and Roll-A-Tex to deconstruct early and
mid-twentieth-century transcendent geometric abstraction into
abstract cells and prisons and by adding conduits to imaginatively
access outside forces. Peter Halley has met many challenges posed
by the Information Age and French poststructuralism by situating
his painting on the divide separating analogue and digital worlds.
Robert Hobbs’s monograph analyses Halley’s geometric and highly
keyed art in terms of opportunities provided by the Internet,
aesthetic possibilities afforded by Photoshop, timely relevance
advanced by Michel Foucault’s and Jean Baudrillard’s
sociological theories, and conundrums presented by both science
fiction and physics.
General
Imprint: |
Hirmer Verlag GmbH
|
Country of origin: |
Germany |
Release date: |
December 2023 |
Authors: |
Robert Hobbs
|
Dimensions: |
280 x 240mm (L x W) |
Pages: |
256 |
ISBN-13: |
978-3-7774-4167-2 |
Categories: |
Books
Promotions
|
LSN: |
3-7774-4167-8 |
Barcode: |
9783777441672 |
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