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In the Name of National Security - Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America (Paperback)
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In the Name of National Security - Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America (Paperback)
Series: New Americanists
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"In the Name of National Security" exposes the ways in which the
films of Alfred Hitchcock, in conjunction with liberal
intellectuals and political figures of the 1950s, fostered
homophobia so as to politicize issues of gender in the United
States.
As Corber shows, throughout the 1950s a cast of mind known as the
Cold War consensus prevailed in the United States. Promoted by Cold
War liberals--that is, liberals who wanted to perserve the legacies
of the New Deal but also wished to separate liberalism from a
Communist-dominated cultural politics--this consensus was grounded
in the perceived threat that Communists, lesbians, and homosexuals
posed to national security. Through an analysis of the films of
Alfred Hitchcock, combined with new research on the historical
context in which these films were produced, Corber shows how Cold
War liberals tried to contain the increasing heterogeneity of
American society by linking questions of gender and sexual identity
directly to issues of national security, a strategic move that the
films of Hitchcock both legitimated and at times undermined.
Drawing on psychoanalytic and Marxist theory, Corber looks at such
films as "Rear Window, Strangers on a Train, " and "Psycho" to show
how Hitchcock manipulated viewers' attachments and identifications
to foster and reinforce the relationship between homophobia and
national security issues.
A revisionary account of Hitchcock's major works, "In the Name of
National Security" is also of great interest for what it reveals
about the construction of political "reality" in American
history.
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