Until "Masculine Interests" not much had been written about men
"as men" in the cinema. Now Robert Lang considers how Hollywood
articulates the eroticism that is intrinsic to identification
between men. He considers masculinity in social and psychoanalytic
terms, maintaining that a major function of the movies is to define
different types of masculinity, and to either valorize or criticize
these forms. Focusing on several films -- primarily "The Lion
King," "The Most Dangerous Game," "The Outlaw," "Kiss Me Deadly,"
"Midnight Cowboy," "Innerspace," "My Own Private Idaho," the
"Batman" series, and "Jerry Maguire" -- Lang questions the way in
which American culture distinguishes between homosexual and
nonhomosexual forms of male bonding. In arguing for a much more
complex recognition of the homosocial continuum, he contends that
queer sexuality is far more present in American cinema than is
usually acknowledged.
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