Comedy was at the centre of a critical storm that raged throughout
the early modern period. Shakespeareas plays made capital of this
controversy. In them he deliberately invokes the case against
comedy made by the Elizabethan theatre haters. They are filled with
jokes that go too far, laughter that hurts its victims, wordplay
that turns to swordplay and aggressive acts of comic revenge. In a
detailed study of seventeen plays, A� tragedies and histories as
well as comedies, A� Maslen contends that Shakespeareas use of the
comic mode is always calculatedly unsettling, and that this is part
of what makes it pleasurable.
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