Anyone who has sat on a jury or followed a high-profile trial on
television usually comes to the realization that a trial,
particularly a criminal trial, is really a performance. Verdicts
seem determined as much by which lawyer can best connect with the
hearts and minds of the jurors as by what the evidence might
suggest. In this celebration of the American trial as a great
cultural achievement, Robert Burns, a trial lawyer and a trained
philosopher, explores how these legal proceedings bring about
justice. The trial, he reminds us, is not confined to the impartial
application of legal rules to factual findings. Burns depicts the
trial as an institution employing its own language and styles of
performance that elevate the understanding of decision-makers,
bringing them in contact with moral sources beyond the limits of
law.
Burns explores the rich narrative structure of the trial,
beginning with the lawyers' opening statements, which establish
opposing moral frameworks in which to interpret the evidence. In
the succession of witnesses, stories compete and are held in
tension. At some point during the performance, a sense of the right
thing to do arises among the jurors. How this happens is at the
core of Burns's investigation, which draws on careful descriptions
of what trial lawyers do, the rules governing their actions,
interpretations of actual trial material, social science findings,
and a broad philosophical and political appreciation of the trial
as a unique vehicle of American self-government.
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