When originally published in 1971, Hollywood Studio Musicians
was the first detailed analysis of the work and careers of
production personnel in an industry devoted to mass culture.
Previously, most researchers overlooked mass-culture industries as
work settings, preferring to focus on content rather than the
artists who created it. This lucid and insightful book looks under
the hood of the Hollywood film scoring and recording industry,
focusing upon the careers and work of top-flight musicians. A new
preface by Howard S. Becker highlights the study's historical
context and importance.
Based upon in-depth interviews with freelance musicians,
Faulkner provides original insights into how we conceptualize
occupations as well as the highly stratified system of professional
prestige that results in what we now call the "A-List." Faulkner
develops a framework for discovering and exploring how rapidly
changing and demanding freelance work induces status hierarchies,
sustains and updates collegial reputations, tightens social
networks between contractors, and musicians, and restricts access
to upward career paths.
This volume is a gem, a masterpiece of field research combined
with probing, theoretically informed analysis. Aside from the value
of its own findings, the volume offers students of sociology, film,
and other creative industries a prime example of how to do good
social science research. In short, it is a model for investigators
to turn to when their own research needs help, an exemplar of how
research is done when it is done well.
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