Instead of asserting any alleged rivalry between Marlowe and
Shakespeare, Sawyer examines the literary reception of the two when
the writers are placed in tandem during critical discourse or
artistic production. Focusing on specific examples from the last
400 years, the study begins with Robert Greene's comments in 1592
and ends with the post-9/11 and 7/7 era. The study not only looks
at literary critics and their assessments, but also at playwrights
such as Aphra Behn, novelists such as Anthony Burgess, and late
twentieth-century movie and theatre directors. The work concludes
by showing how the most recent outbreak of Marlowe as Shakespeare's
ghostwriter accelerates due to a climate of conspiracy, including
"belief echoes," which presently permeate our cultural and critical
discourse.
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