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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
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The Autobiographical Turn in Germanophone Documentary and Experimental Film (Hardcover)
Loot Price: R1,970
Discovery Miles 19 700
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The Autobiographical Turn in Germanophone Documentary and Experimental Film (Hardcover)
Series: Screen Cultures: German Film and the Visual
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A volume of essays marking out a new, historically and culturally
specific model for contemplating autobiographical non-fiction film
and video. There is a widespread notion in the scholarly literature
on autobiographical nonfiction film that there are unchanging,
universal models for the investigation of the self through
audiovisual media. By insisting on the cultural andhistorical
specificity of that self, the essays in this volume trace the range
of politically and theoretically informed taboos, critiques, and
proclivities that shape autobiographical filmmaking in
German-speaking countries. Indoing so, they delineate a new model
for contemplating autobiographical film and video. The essays in
this volume examine the parameters shaping the audiovisual self in
the Germanophone cultural context across a variety of practices and
aesthetic modes, from contemporary artists including Hito Steyerl,
Ming Wong, and kate hers to Rolf Dieter Brinkmann's multimedia
experiments of the 1970s, and from Helke Misselwitz's challenges to
the documentary tradition in the GDR to Peter Liechti's
investigations of Swiss ambivalence toward the nation's iconic
landscape. The volume thus takes up a number of historically and
geographically specific iterations of autobiographical discourse
that in each case remain contingent on the space and time in which
they are uttered. Contributors: Dagmar Brunow, Steve Choe, Robin
Curtis, Tobias Ebbrecht-Hartmann, Angelica Fenner, Marcy Goldberg,
Feng-Mei Heberer, Rembert Huser, Waltraud Maierhofer, Christopher
Pavsek, Patrik Sjoeberg, Carrie Smith-Prei, Anna Stainton. Robin
Curtis is Professor of Theory and Practice of Audiovisual Media at
the Heinrich-Heine-University in Dusseldorf, Germany. Angelica
Fenner is Associate Professor of German and Cinema Studies at the
University of Toronto.
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