One of the most distinctive voices in film criticism explores
relationships between narrative style and sexual politics. Robin
Wood, well known for his books "Hollywood from Vietnam to Reagan"
and "Hitchcock's Films Revisited, " probes the political and sexual
ramifications of fascism and cinema, marriage and the couple,
romantic love, and representations of women, race, and gender in
contemporary films from the United States, Europe, and Japan. He
looks closely at the works of Leo McCarey and Jacques Rivette,
Ozu's "Noriko Trilogy," and the recent Generation X films "Before
Sunrise" and "The Doom Generation." In a chapter on fascism and
cinema that juxtaposes Leni Riefenstahl's "Triumph of the Will" and
Alain Resnais's "Night and Fog, " Wood finds that what is most
important is not these films' record of another time and place but
"the light they can throw on our contemporary cultural situation."
Wood's central concern in these chapters is the ways in which the
films relate to sexual politics and the organization within our
culture of gender and sexuality. Seeing humanity as a
"battleground" of a struggle between forces for Life and those of
Death, Wood holds out hope for a joining of the forces of feminism,
antiracism, lesbian and gay rights, and environmentalism necessary
for authentic movement toward liberation.
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